Popsicle and five plies is the most-ridden combination in the scene, which makes the mold name the real variable. Mid Pro is Chems' own term for this shape, and beyond the published 34mm width, the only honest read is that it names a position inside the brand's own range rather than a measurable standard. Riders who already have a Chems board under their fingers will know what it feels like; everyone else is buying on the name.
The graphic treatment is the part that invites a second look. Bottom graphics on a fingerboard do not fade — they get scraped off, a slide at a time, by ledge edges and rail steel, and the side edges go separately from primos. Any treatment that puts "wear" in its name is making a claim about that process, whether it is about how the ink sits in the veneer or how the art is designed to look once the clean parts are gone. Chems hasn't said which, and the listing's four bullets do not elaborate.
As for the art itself, the brand hasn't published a description or a credit; the title is doing the work. A blue-fire reaper is not a subtle pitch, and it doesn't need to be — graphic decks live or die on how they read at 33-odd millimeters wide, a scale where a single heavy figure and two strong colors usually beat fine linework.