The pattern is not one brand's habit. It showed up at three unconnected makers inside ten days.
Civil Made put four graphics on a single serialized shape — State Pen, Shatter, Ambush and Anarchy on the same classic mold with mid-to-low kicks and mellow concave. The graphics are the menu. The individual board is defined by its serial number and by a ply color that varies from deck to deck, which means two riders with the same artwork do not own the same object.
FlatFace listed a 32.7 mm prototype with plies Mike Schneider cut by hand, as-is, at $65 — a one-off where the construction is the product, and where the listing, since taken down, carried the brand's fullest public description of the G16 shape. Lauta printed Joona Hytönen's pro graphic onto a Spring Edition split-ply blank, 5-ply birch, 96.5 mm long, and made three. The graphic is the rider's. The scarcity is in the veneer.
Split ply is the clearest version of this because it cannot be faked at the print stage: contrasting veneers cut and recombined so the pattern runs through the layup, visible on the sides and in every chip a ledge takes out of it. A printed bottom wears off under slides and grinds. A split ply gets more legible as it does.